Friday, November 22, 2013

Furnace MFG: Sound and Color


It is no secret that black vinyl is the way to go if you want to press the best sounding record. Audiophiles swear by it.

Furnace Record Pressing’s goal is to produce the best sounding records, and that includes the array of color vinyl options that are formulated to meet our strict quality specifications. However, there is no such thing as "audiophile-quality" color vinyl (at least not yet). The closest a color pressing has approached that level, at least in Furnace's history, was the ORG Music reissue of Tom Petty and The Heartbreakers' Damn The Torpedoes



This 1979 album was re-mastered and repressed in 2010 on two 45 RPM transparent red vinyl LPs, and to Furnace’s President Eric Astor's ears, it was "as close as we've come to color vinyl perfection."

Color vinyl usually will have a higher noise floor than well-formulated black vinyl. Surface noise is more noticeable to the ear when listening to more dynamic recordings pressed on color vinyl. So, a perfectly mastered jazz record may sound slightly less pristine than a perfectly mastered loud rock record if both were pressed on the same batch of Furnace-approved solid white vinyl. When in doubt, press on black vinyl. 

Still, our strict standards for the color vinyl we authorize ensure you will end up with a great sounding and good looking product with added collectible appeal. 





Once you start mixing colors, no two records will look the same, adding to the novelty of your release.




Wednesday, October 9, 2013

OBEY Furnace MFG: The Logo Story


As some of you surely know, Furnace MFG's mascot / Chief Morale Officer is Jack, our Bernese Mountain Dog. He commands attention on the premises due to his superior looks and sartorial taste in black hoodies. (Not to mention his less-than-vicious guard dog instincts—just ask our FedEx driver.) 



Less known, however, is the story of our official mascot: the ironworker featured in the Furnace MFG logo.

In 1999 we decided Furnace's branding was dull and needed a makeover. I had been in contact with graphic artist Shepard Fairey in the late 80s and early 90s so he immediately came to mind. 

Back then, Fairey had just designed an oddball graphic and started sending out stickers and templates that we would copy onto more stickers and posters and spread around town. Within a few months, downtown Tempe, AZ was covered with the iconic ‘Andre the Giant Has a Posse’ graphic—an ancient pre-internet meme if you will. To us, the sticker was subversive and meant to shake up the glossy veneer of strip mall culture. To everyone else, it was likely an amusing and confusing eyesore. 


After a couple of meetings and a few rough drafts, Furnace MFG's logo was born.


In the 13 years since our logo design, Fairey's influence has spread throughout the globe:















Tuesday, September 17, 2013

Furnace MFG | How to Spot Quality Vinyl or Record Pressing

Furnace MFG Vinyl Record Pressing

When we’re not pressing great vinyl at Furnace MFG, we’re constantly buying records for Furnace Record Pressing collections. My buying preference is vinyl since most LPs include download cards—the best option for on-the-go listening. However, I'm often disappointed by the quality of the vinyl I purchase. Use the following tips to guarantee the vinyl records you purchase—or have manufactured—were pressed correctly.
(Quick tutorial: A record pressing machine has one mould for each side. Metal stampers containing a "negative" imprint of the grooves then fit onto each mould. Using heat and pressure, the press forms the grooves in the vinyl biscuit.)
The ORANGE PEEL effect:
Look at the inner grooves: Is the surface smooth or textured? The so-called orange peel effect is often caused by a worn / damaged record mould or an over-used stamper. This orange peel like texture negatively effects the groove floor and will cause unwanted noise and artifacts during playback.
A well maintained pressing machine mould should have a mirror-like, pristine finish to ensure the stamper is the only surface that makes an impression into the vinyl. As moulds are costly and time-consuming to replace or repair, some plants forego regular maintenance to cut costs and to minimize down-time on their machines.
The overuse of metal parts is another possible cause of orange peel. The stamper is a metal plate that sits over the mould and contains the grooves. Stampers have a life span of between 500-1000 impressions before they begin to degrade from the heat, pressure and stress from the pressing process. When one is used past its recommended lifespan, the imprint leaves a inferior record in its wake. Since stampers are also an expensive piece to produce and take valuable time to change on the press, it's not surprising that some pressers will overuse them to save time and money. 

Pits and Valleys:
Do you see little pits or divots speckling the playing surface? This effect is the result of a dirty or damaged mould, or a poorly formed stamper. As with orange peel, these pits will negatively effect the playback quality.
(As mentioned in the orange peel section, a bad mould = a poorly pressed vinyl record)
The other primary cause is poorly created stamper plates. After the stamper emerges from the galvanics tank, there are miniature imperfections on the back of the plate from the electroforming process. A well-prepared stamper is closely inspected and then sanded in a uniform motion until it's impeccably smooth. An immaculate stamper on a spotless mould is the first step in creating a superb sounding record.
Where’s the FILL?
Do you see odd looking grooves that cause an audible "swish" or dropout during playback? This is likely caused by non-fill.   
Non-fill occurs when the hot vinyl biscuit doesn’t fully melt to fill each groove in the stamper. The alchemic mix of cycle timing, correct pressure, heating and cooling, and the use of high-quality PVC material is paramount to pressing a superior record. In the end, experience is key as there isn't a one-fits-all setting on a 40-year-old pressing machine.

Furnace Record Pressing spends considerable time and money ensuring that all of our equipment is well maintained and operated by experienced crafts people who know the machines (and the squeaks and squeals they make) like the back of their hand. Furnace MFG presses each LP with the care, attention (and love!) necessary to ensure that YOU won’t be disappointed when spending your hard earned money at the local record shop.

Happy listening. 
Eric
Furnace MFG

Monday, September 16, 2013

Furnce MFG | Furnace Vinyl Pressing 60 Years Ago Looks A Lot Like Today

I recently stumbled upon this short film shot at the RCA pressing plant in 1956. Except for a little automation and a few computers, the process of pressing vinyl records hasn't changed much at all. Enjoy...